Paul
Flack
Born
in Brooklyn, New York City, Paul Flack's fate was to follow
the exodus of the millions of GIs returning from WWII on their
way to the promised land, Levitown, Long Island, America's
first subdivision. From his modest home on a 60' x 100' plot
of land, he dreamed of life beyond the city. In the late 70's
the South caught his attention and he soon found a home on
the outskirts of Atlanta. There, his career path wandered
from international teaching, to marketing, sales, public relations
and technology. In spite of many successes, his professional
experience proved less than fulfilling. In the meantime, suburban
sprawl began to overtake his neighborhood.
Birth
of the first South Brooklyn, suburban refugee folk artist
It was during the 70's that he first attended Folk Fest in
Atlanta. There he was introduced to the truth of art in the
form of Robyn "The Beaver" Beverland. Flack was
moved by the unobstructed, pure, soul-bearing communion between
the art and artist. A
potent combination of a deteriorating urban environment and
health problems forced him to look more closely at the "truth"
in his world. In an effort to come to grips with his new reality
he picked up discarded pieces of wood left in the wake of
his new subdivision neighbors. Inspired by visionary artists
such as Howard Finster, he decided to try his hand at painting
- something he had turned his back on thirty years before
- to reconcile his feelings. He became intrigued with spiritual
concepts and almost exclusively began painting angels - God's
own messengers. He works with a variety of household tools
such as used spray bottles, catsup containers, discarded toothbrushes
and alike to create images. A favorite medium is joint compound
on OSB board sometimes inset with mirrors and found objects.
Permanent
collection Hurn Museum, Savannah, Georgia
Work
chosen for the theme of the 2006 Mennello Museum 5th Annual
Orlando
Folk Festival
Annual
participant Fearrington Folk Art Festival
Founder
of The Who-Ha Da-Da Outsider Artists' Fellowship-dedicated
to promoting and sustaining the vernacular Southern visual
art culture.
Click
on any image below to enlarge:
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“Face”
Two panels
each
11 3/4" x 46"
acrylic
on recycled OSB
(oriented strand board)
SOLD

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“Liberty”
Two panels
each
11 3/4" x 46"
acrylic
on recycled OSB
(oriented strand board)
SOLD

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“Angels”
Three panels
each
11 3/4" x 46"
acrylic
on recycled OSB
(oriented strand board)
SOLD

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